Playlist — 15 tracks
Open in Spotify ↗
Services
Send files or sessions through WeTransfer, Dropbox, or Google Drive — Preferred WAV files.
01
Production
DM for pricing
Building the record from the ground up: the beat, arrangement, sound selection, and recording direction — shaping the song's feel and structure before it ever gets to the mix.
Full albums02
Recording
$80/hr
Capturing the performance: tracking artists and bands, getting the sounds and the takes that everything else is built on.
03
Mixing
$250/track (full stems) $150 (2-track)
3 revisions included.
I bring your separate tracks together into one finished record — setting levels so every part is heard, panning sounds across the stereo field to open up space, and shaping tones with EQ so the whole song stays balanced, clear, and distinct.
Most booked04
Mastering
$75/track
Once the mix is done, this is the last step before it goes out. I polish the finished record and get it ready to release — so it sounds full and consistent whether it's playing on big speakers, earbuds, or in the car, and holds up across streaming and every format after that.
Streaming-ready05
Consultation
$50/hr
Song feedback, mix review, and project guidance — via Zoom or FaceTime.
Singles — Mix + Master $300
2-Track Singles — Mix + Master $200
EPs & LPs — DM for pricing
Gear
- Pro Tools Ultimate
- Apogee Symphony I/O
- Dangerous Music D-Box
- Radial Nuance
- Focal Shape 65
- Yamaha HS5
- Focal Sub One
- Rupert Neve Designs MBT
- SSL Fusion
- CAPI VP28 x2
- Empirical Labs EL8-X Distressor
Tracking at Tone Freq Studios, San Jose
- Pro Tools Ultimate
- Avid S3 Control Surface
- Antelope Orion 32+
- Focal Solo 6
- Neve 1073
- Manley Vari-Mu
- Tube-Tech CL 1B
- Universal Audio 2-1176
- full mic locker, large tracking room + iso booths
Listen
Dig into the playlists below.
Playlist — 46 tracks
Open in Spotify ↗
Jerry D — Mixes
Playlist — 21 tracks
Open in Spotify ↗
Jerry D — Mastering
Mastering — Bandcamp
Teeko & Diamond Ortiz — “Real Ones (SFC)”
Needle to the Groove · Released 2016
Listen on Bandcamp ↗
Mastering — Bandcamp
Aki Kumar — “Jaan E Jaan”
Needle to the Groove · Released 2018
Listen on Bandcamp ↗
Watch
Studio sessions and performances, on YouTube.
About Jerry D
DJ. Producer. Mix Engineer. Still in the lab — for decades.
Jerry Dalalo — jerrydmixedit — is a DJ, mix engineer, and producer from San Jose, California. He works independently under the jerrydmixedit name and records at Tone Freq Studios in San Jose.
He came up as Da Hermit, DJing clubs and college radio, then as the DJ for Insolence, the reggae metal band that signed to Maverick Records in 2000. Across Poisonous Philosophy, Revolution, Stand Strong, and Audio War — which he produced — his scratches, samples, and production became part of the band's sound. His approach to engineering and producing was shaped in the studio, working with producers Sylvia Massy and Todd Ray, and engineer Peter Stanley.
Sticky Lab Studios started in a family room at his mom's house in Santa Clara in the late '90s. It grew into a commercial studio and ran in Cannery Park until 2018. Today, as jerrydmixedit, he works out of Tone Freq Studios and his own private studio — recording, producing, mixing, and mastering records for independent artists and bands — Hip-Hop, Reggae, hardcore, rock, and metal.
Outside the studio, Jerry D serves as A&R for Matism Records, building the label’s roster. He also works in media operations at NBC Bay Area (KNTV), where he was a 2023 San Francisco / Northern California Emmy nominee for Breaking / Spot News coverage.
- Late ’90sSticky Lab — mom’s family room, Santa Clara
- 2000Insolence signs to Maverick Records
- 2000–2018Own commercial studio, Cannery Park, San Jose
- 2023Northern California Emmy nomination — NBC Bay Area
- TodayIndependent as jerrydmixedit — Bay Area, CA
Credits
Selected production and mixing credits.
- Insolence – Poisonous Philosophy (2000), Revolution (2001), Stand Strong (2003), Audio War (2007), Product EP (2017) – scratches, samples; producer on Audio War & Product EP
- Third Sight – Chillin' with Dead Bodies in a B-Boy Stance (2012), Symbionese Liberation Album (2006), IV (2016) – engineer, mixing; producer on “Pineal Gland” & “Stop Rapping”
- The Tarantula Bros. – The Tarantula Bros. (2018) – engineer, mixing, mastering
- Chris Gatsby – Middleground Morals & Money (2014) – producer (selected tracks); engineer, mixing
- Jesse Medina – Meet Jesse Medina (2014) – engineer
- Drunken Starfighter – Drunken Starfighter (2004) – producer, mixing
- Nowaah The Flood x D-Styles – Creme De La Creme (2021) – mixing
- XP The Marxman, Rhettmatic & D-Styles – Pacific Standard Time (2022) – mixing
- Substance810 & D-Styles – He Who Laughs Last (2023) – mixing
- Da Flyy Hooligan & The Beat Junkies – There's Hooli and There's Everyone Else (2024) – mixing
- Napoléon Da Legend & Rhettmatic – Legmatic (2024) – mixing
- LMNO & D-Styles – Three Mimes & An Elephant (2025) – mixing
- Hazrdz – Hazrdz (2025) – producer
- Q-Unique & DJ Rhettmatic – The QR Code (2026) – mixing, mastering
- Lyrics Born & Cutso – Rapp Nite (~2019) – mixing
- Lyrics Born – “Enough About Me” (2022) – mixing
- Teeko feat. Diamond Ortiz – “Real Ones (SFC)” (2016) – mastering
- Dem One – Audio Still Life (2011) – producer (“Acknowledgment/On The Brink”); recorded by, mixed by
- Copywrite – The Life And Times Of Peter Nelson (2010) – engineer (“Tic Toc”)
- Da Hermit – “Desperate At Home” (2007) – producer
